Showing posts with label 18th century travelogue. Show all posts
Showing posts with label 18th century travelogue. Show all posts

Tuesday, April 20, 2010

Medieval Wander in the Czech Republic


 A view of the Vltava river with the Cesky Krumlov castle on the right.
The town down below
The Cesky Krumlov tower rising out of the rock on the side of the river Vltava.
Restaurants line the sides of the river. 
The coat of arms of the German Schwarzenberg family. On the right quarter is the head of a Turk, having his eye put out by an offending raven.
A street in Latran, where the staff that serviced the castle once lived.




 

I was ready to chuck the GPS into the river in frustration.

We had driven south from Prague to the medieval town of Český Krumlov to see the Czech Republic’s second largest castle complex and the freakish bend of the river Vltava around it. We couldn’t figure out how to enter the town to get to our hotel in the medieval quarter of Latran. The GPS stubbornly kept sending us into a haphazard little car park on the side of a hill, to declare with finality, “You have arrived at your destination,” when we were nowhere near it.

Calling the hotel for directions was no good either. I simply couldn’t pronounce the name of the road we were on - “Objizdkova”. I tried twice and started giggling the third time. It was the equivalent of a foreigner in India trying to say “Thirukalukundram.”.

Finally, we flagged down a trio of Czech youngsters and literally begged them to tell us how to get to “Hotel Bellvue at the base of the Český Krumlov castle.

The group went into a little huddle discussing the possibilities. Then one of them said, “Turn around, take a left, go down the hill, then make a right, after the U-turn go left again, cross the bridge, turn right, then park your car, turn right and walk up the hill and finally turn left.”

“Wha…??”


Understanding that we had gone into shock, one of the guys simplified it for us. "Just look for signs to P2," he said, which turned out to be a parking lot just near the entrance to the town. Suddenly the fog had lifted. It was like being able to figure out a labyrinth by looking at it from above. Within minutes we were in our hotel, gasping agitatedly to the receptionist about our travails. "Car access is limited because this is a UNESCO World heritage site," he informed us. But it still didn't explain the absence of good signposts to the entrance to the town.

The following day however, we found that Český Krumlov, can generously reward those who persevere in trying to find it. The river Vltava twists and bends mischievously around town looping in the shape of three capital S’s. And, walking the network of cobblestone streets will both engage the eager window shopper and warm the historians heart.

The one must do thing in town though is to take a tour of the Český Krumlov castle which towers over the little town. It is a massive complex, opening up into one courtyard after another, extending all along the side of the bend in the river Vltava, at an elevation which gives the beholder the impression that the castle has somehow organically risen out of the rock.

The castle has belonged to three prominent Bohemian noble families over the last 8 centuries and each family has extended it to suit its needs. So the castle has grown longer and longer along the rim of the river like a train engine getting more and more coaches attached to it.

The oldest part of the castle was built by the Vitek family. Then the House of Rozmberk inherited it and owned it for the next 300 years upto 1602. Their stay in Český Krumlov, gave the town a big cultural, economic and political boost. The medieval quarter, Latran, at the base of the castle that draws tourists today, sprang up in large part, to service the needs of the castle. Servants, merchants, craftsmen all crowded down below while the lords lived it up, quite literally.

But even noble families have financial troubles and the castle had to be sold which is how it passed from the Rozmberks to the Eggenbergs. Almost as if their name was mocking them, the Eggenbergs, ran out of male heirs. Their abiding contribution to the guided tour of the castle is a massive and gauche chariot coated with 2 kilos of real gold, sent on a diplomatic mission to the Vatican, carrying gifts for the Pope. It was used but once. Such are the ways of the wealthy.

But our tour guide robbed this medieval version of “Lifestyles of the rich and famous” of all colour by speaking in a monotone that was flatter than a tava. She had also repeated the same information so many times that she had acquired robotic precision. The only time she looked remotely like a real person was when she blushed faintly while calling a noblewoman’s bedroom the dining room by mistake.

Meanwhile with noone to inherit the Český Krumlov castle, the Eggenbergs then sold it to the German Shwarzenberg family who held it till 1947 after which it was nationalized. The Schwarzenberg family had a most interesting coat of arms with the head of a poor Turk in the bottom right having his eye poked by the beak of an offending raven. “How can Turkey ever join the EU?”, I thought to myself.

The castle has a baroque theatre which every guide book promises is a feast for the senses but it was unfortunately closed when we went. So were all the rafting tour operators for trips down the twisting Vltava.

We sat down to a late lunch at the base of the castle, in one of the many restaurants that line the river and consoled ourselves. It was the price we had paid for beating the tourist traffic. And after the tourist throngs of Prague, it had been nice to walk through the Český Krumlov castle gardens as though we were a couple of Schwarzenbergs enjoying a walk in our private woods.

This article was published in The Indian Express on 18th April 2010.

Travel:
You cannot fly directly into Český Krumlov. You could either fly to Vienna or to Prague to get to Český Krumlov since the Schengen visa is valid in both Austria and the Czech Republic.

Aeroflot offers the cheapest rates into Prague via Moscow starting at Rs. 33,000 appx.

Air India operates a direct flight to Vienna from New Delhi starting at Rs. 36,000.

Don’t drive to Český Krumlov like we did. Just go by bus. It is cheaper than going by train and there are several operators who can bus you in. A popular option is the  ‘Student Agency’ service which operates many trips during the day from Prague. Tickets can be booked at http://www.studentagencybus.com/.

You can travel from Vienna to Cesky Krumlov in a shuttle bus service. Tickets can be booked at http://www.shuttlebus.cz/.

A lot of restaurants and shops in the Czech Republic don’t take cards. So best to carry Czech Koruna. Best months to go to Cesky Krumlov are May through August when there are lots of activities planned in town, including an International Music festival. It is best to book ahead for the rafts if you’re interested in taking to the waters of the Vltava. To book try the following website http://en.malecek.cz/Boat_rental/Kontakt/.

Hotel: We stayed at Hotel Bellvue which is very close to the Cesky Krumlov castle. It has small rooms but serves a really good breakfast to give the energy boost you will need to walk the length of the castle.

And whatever you do, don’t take heels. Only a pair of good walking shoes will see off the challenge from the cobblestones. Its not a medieval town for nothing.




Tuesday, December 08, 2009

Book Review: Life on the Golden Horn



Why should you read a travelogue on a journey from England to Turkey written in the early 18th century? There are, after all, plenty of resources today, some would argue too many, to get information on these places that is both current and well-researched. Yet, I can safely say that I’ve learnt more about what life was like in the Ottoman Empire through this travelogue ‘Life on the Golden Horn’ than any history book or encyclopedia could have taught me.


This slender volume is a collection of letters written by the English woman, Mary Wortley Montagu who travelled through Europe to Constantinople as the wife of a diplomat. Incredibly, she is heavily pregnant through the whole journey, but such is her curiosity about people and places that in all her letters back home there is hardly any mention of a trimester or morning sickness. Instead she drinks deep from the cup of life leaving behind a most memorable account of the attitudes of the time but more importantly giving the English-speaking world an important glimpse into the world of women in the Ottoman Empire. Her feminist perspective confirms the place of travel writing as literature, history, anthropology and even international affairs and journalism.


Mary Wortley Montague traveled through the 'war-torn Balkans' and ended up in the Turkish capital, Constantinople, from where she sent some of her most entertaining dispatches. Most accounts of the Ottoman Empire till her arrival had been written by men, with no window into the lives of women and who therefore could only make prejudiced guesses. Montagu ‘s first achievement then is to bring a gendered perspective to travel writing. She writes with a fine confidence, declaring, “Now that I am a little acquainted with their (Ottoman women) ways I cannot forbear admiring either the exemplary discretion or extreme stupidity of all the writers that have given accounts of them.”


Her most memorable accounts are the times spent with various Turkish women. She generally finds them extraordinarily beautiful, extremely warm and lavishly gracious hosts. She says, “’Tis surprising to see a young woman that is not very handsome.” When she enters a hamam for the first time, it is packed with women sprawled on the floor in various poses of indolence in a “state of nature.” But, she remarks, that contrary to the sniggering and whispering that may have accompanied the entry of a new woman into such close circles in Austria or England, here she encounters only smiles and welcoming eyes. She is even urged to undo her elaborate garments to join them in their indolence, but when the complex machinery of an 18th century English gown is revealed to them, the quest is duly abandoned.


The relevance of travel writing is further underscored by Montagu’s observations on the veil. Far from the cloak of oppression it symbolizes today, Montagu finds it a liberating “masquerade”, allowing women to go where they please, take on lovers and be free from street harassment (some things apparently don’t change).


But Montagu wouldn’t be so interesting if she didn’t also say things that would certainly end any travel writers career today. Her prejudices are all laid bare before a more politically correct 21st century reader. For instance, she declares in a sweeping generalization, that all Austrian women are generally ugly. Her offence is not restricted to Austrians. Interestingly, she says that every Turkish Pasha has a Jew who is like his homme d’affaires without whom functions of state could not be carried out. She misses the irony in her own declaration when she claims that Jews have made themselves so useful that they are guaranteed the protection of the state. Far from recognizing why they may need protection, she sees it as Jews exploiting “every small advantage.” Today she can comfortably be accused of displaying anti-Semitism.


Montagu is a product of her times, so her writing often reflects prevailing attitudes. But to her credit she also attempts to bust many of the myths surrounding the Ottoman Empire and its people. She insists they are not the barbarians of popular imagination. By way of example she points out that she sees the Turks treating their slaves in a much more humane fashion that people in England. She also says that crime in the Ottoman Empire is much lower than in, England again.


At some point during these travels, Montagu gives birth to a baby girl. But she is so taken up by the splendors of Turkey that her new daughter barely gets a mention in the letters. In her last letter from this collection she wistfully says that she envies the blissful ignorance of a milk maid who knows nothing of what lies beyond England’s shores. In fact, faced with living under England’s gloomy winter skies again, she almost wishes she forgets about Constantinople’s evening sun herself.


One of the pleasures of Montagu’s writing is the fact that it is unfettered from trying to be politically correct. Her observations are sharp, acerbic, generous, unkind, rapturous. So much of today’s travel writing pales in comparison. That’s why her 18th century account of her travels can still enlighten.